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Sculpture · Ceramic · Bronze · Wearable

Sculptures &
Wearable Sculptures

Bronze and ceramic works exploring architectural form, cultural tension, and the body as site. Made in Tehran, 2014–2018. The same instinct that shapes a bronze — minimum form, maximum presence — still runs through every interface I design.

Urban Lion

Ceramic
45 × 40 × 60 cm
2018

Ceramic pipe structures with colored circular openings — industrial infrastructure reimagined as organism. The city's hidden systems made visible and tactile. Color fires only where attention is needed.

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Edge

Bronze
45 × 40 × 60 cm
2017

A figure at the limit of balance — bronze holding a moment of pure tension. The body as architecture. Every gram of material placed in service of a single instant.

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Inner Conflict

Bronze and Ceramic
15 × 18 × 50 cm
2018

Bronze exterior, ceramic interior — two materials that don't agree with each other, held together by the form. Structural permanence wrapped around organic softness. The tension is the content.

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Inverted City

Bronze
17 × 25 × 19 cm
2017

Urban geometry cast in bronze — a city seen from below, or from above, depending on how you hold it. Architecture distilled to its structural logic. No facades, no ornament. Just the skeleton of how cities hold themselves together.

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Contemporary Jewelry

Gold
Wearable sculpture
2018

Minimal gold line forms worn against skin and earth. The body as the final material — the jewelry only exists completely when worn. Same question as every other piece: what is the minimum form that holds the most presence?

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